All James Jacques Joseph Tissot Oil Paintings

(15 October 1836 -- 8 August 1902) was a French painter. Tissot was born at Nantes. He studied at the École des Beaux-Arts in Paris under Ingres, Flandrin and Lamothe, and exhibited in the Paris Salon for the first time at the age of twenty-three. In 1861 he showed The Meeting of Faust and Marguerite, which was purchased by the state for the Luxembourg Gallery. His first characteristic period made him a painter of the charms of women. Demi-mondaine would be more accurate as a description of the series of studies which he called La Femme a Paris.
 

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James Jacques Joseph Tissot The Ball oil painting


The Ball
Måleriet Identifieringen ::  85044
The Ball
1880(1880) Medium Oil on canvas Dimensions 90 x 50 cm (35.4 x 19.7 in) cyf
   
   
     

James Jacques Joseph Tissot Hide and Seek oil painting


Hide and Seek
Måleriet Identifieringen ::  85072
Hide and Seek
1877(1877) Medium Oil on panel cyf
   
   
     

James Jacques Joseph Tissot Two Sisters oil painting


Two Sisters
Måleriet Identifieringen ::  85644
Two Sisters
1863(1863) Medium Oil on canvas Dimensions 210 x 136 cm cyf
   
   
     

James Jacques Joseph Tissot The Captain and the Mate oil painting


The Captain and the Mate
Måleriet Identifieringen ::  86040
The Captain and the Mate
Date 1873(1873) Medium Oil on canvas Dimensions 53.5 x 76 cm (21.1 x 29.9 in) cjr
   
   
     

James Jacques Joseph Tissot Un Dejeuner oil painting


Un Dejeuner
Måleriet Identifieringen ::  86472
Un Dejeuner
1868 Medium Oil on canvas Dimensions English: 77.8 x 58.7 cm cyf
   
   
     

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     James Jacques Joseph Tissot
     (15 October 1836 -- 8 August 1902) was a French painter. Tissot was born at Nantes. He studied at the École des Beaux-Arts in Paris under Ingres, Flandrin and Lamothe, and exhibited in the Paris Salon for the first time at the age of twenty-three. In 1861 he showed The Meeting of Faust and Marguerite, which was purchased by the state for the Luxembourg Gallery. His first characteristic period made him a painter of the charms of women. Demi-mondaine would be more accurate as a description of the series of studies which he called La Femme a Paris.

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